%   This is ASEX encoding. (file ASEX.enc)
%
%   Adobe Standard Encoding Extended.
%
%   Creator: Pierre A. MacKay [email protected]
%   Creation Date: Thu Aug 31 08:56:22 PDT 1993
%
%   This is an input coding file for creation of a "raw font".
%   It can, for esample be used  with Radical Eye Software's
%   afm2tfm.  Use with the -p flag.  This same encoding can also be
%   used with ps2pk to create a complete set of bitmapped 
%   simplex characters.
%
%   The {\em sole} purpose of this file is to ensure that all {\em simplex}
%   characters in the font are made available in the raw TFM.  Therefore
%   there are no ligatures or any other refinements.  The raw TFM
%   file contains no ligatures or kernings---nothing but character 
%   metrics.  We retain Adobe Standard encoding for all mapped 
%   characters in the AFM file, and extend the list by adding
%   the unmapped simple characters into the empty code positions
%   from O 200 to O 240.  It is assumed that the output coding used
%   for the TeX tfm will be different from this ( -t flag in afm2tfm ).
%
%   The extended part of this  encoding is consistent with the general 
%   run of text fonts from Adobe, BitStream, DTC, Linotype, Monotype, 
%   URW and probably others as well.  For SuperFont characters, see below.
%   In a library of over 300 text fonts, I have found no variants.  The only
%   variant in display fonts is the occasional absence of lowercase.
%
%   Jan Michael Rynnings has pointed out that a few very carefully designed
%   fonts, e. g. Adobe Garamond and Adobe Caslon, may treat all the accented
%   characters as simplex glyphs (must make for a large pfa file), and that
%   this input encoding would not recognize such refinements.  True---but
%   such fonts will be a tiny minority, and can be dealt with by
%   special encoding files.  A couple of tests indicate that it makes
%   no perceptible difference whether you use composites formed from
%   the CC recipes in the AFM file or call the characters out directly
%   from the PFA file.  There seems no reason, therefore, to fill the
%   raw font with characters that are clearly identified as composites
%   in the AFM file.  
%
%   Usage:
%     afm2tfm <FontName>.afm -p ASEX.enc -t <output>.enc -v <vplname> <rawname>
%
/ASEXEncoding [          % now 256 chars follow
%
% The following will replace the characters from 0 to 32 in the raw encoding
% if you have access to a SuperFont.  There is reason to hope that this
% set will be as stable as the unmapped set in current text fonts
% If you don't have a SuperFont, and have to create any of these as a 
% composite, precede the name with a dot, as is done here for 
% Scedilla and scedilla.  The change in name  keeps afm2tfm from thinking
% that the character already exists when it comes to evaluate the output
% (-t flag) encoding.
%
% 0x00 
  /Aogonek /Eogonek /Iogonek /Kafii9170 /Lafii9170 /Lcaron /Nafii9170 /Rafii9170 
  /Safii9170 /.Scedilla /Tafii9170 /Uogonek /.notdef /.notdef /.notdef /.notdef 
% 0x10
  /aogonek /eogonek /iogonek /kafii9170 /lafii9170 /lcaron /nafii9170 /rafii9170 
  /safii9170 /.scedilla /tafii9170 /uogonek /.notdef /.notdef /.notdef /.notdef 
% 0x20 % Keep the space, for use as \boundarychar (Give it zero width in vpl)
  /space /exclam /quotedbl /numbersign
  /dollar /percent /ampersand /quoteright
  /parenleft /parenright /asterisk /plus /comma /hyphen /period /slash
% 0x30
  /zero /one /two /three /four /five /six /seven
  /eight /nine /colon /semicolon /less /equal /greater /question
% 0x40
  /at /A /B /C /D /E /F /G /H /I /J /K /L /M /N /O 
% 0x50
  /P /Q /R /S /T /U /V /W
  /X /Y /Z /bracketleft /backslash /bracketright /asciicircum /underscore
% 0x60
  /quoteleft /a /b /c /d /e /f /g /h /i /j /k /l /m /n /o
% 0x70
  /p /q /r /s /t /u /v /w
  /x /y /z /braceleft /bar /braceright /asciitilde /.notdef
%
% This is the Extension to Adobe Standard Encoding
%
% In as many of the next 32 positions as necessary, include
% all the unmapped simple (non-composite) characters.  The
% inclusion of Ccedilla and ccedilla is problematic.  These are
% composites in some schemes, simple in others.  Best to 
% assume they are simplex.  Characters are entered in alphabetical order
% by name. If you need to create your own composite for Ccedilla
% ccedilla or Eth, precede the name with a dot as indicated above.
%
% 0x80
  /Ccedilla /Eth /Thorn /brokenbar /ccedilla /copyright /degree /divide
  /eth /logicalnot /minus /mu /multiply /onehalf /onequarter /onesuperior
% 0x90 
  /plusminus /registered /thorn /threequarters
  /threesuperior /trademark /twosuperior /.notdef 
  /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef 
%
% From here on the order is again Adobe Standard Encoding
%
% 0xA0
  /.notdef /exclamdown /cent /sterling /fraction /yen /florin /section 
  /currency /quotesingle /quotedblleft /guillemotleft
  /guilsinglleft /guilsinglright /fi /fl
% 0xB0
  /.notdef /endash /dagger /daggerdbl /periodcentered /.notdef /paragraph /bullet 
  /quotesinglbase /quotedblbase /quotedblright /guillemotright
  /ellipsis /perthousand /.notdef /questiondown 
% 0xC0 
  /.notdef /grave /acute /circumflex /tilde /macron /breve /dotaccent
  /dieresis /.notdef /ring /cedilla /.notdef /hungarumlaut /ogonek /caron
% 0xD0
  /emdash /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef 
  /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef /.notdef 
% 0xE0
  /.notdef /AE /.notdef /ordfeminine /.notdef /.notdef /.notdef /.notdef 
  /Lslash /Oslash /OE /ordmasculine /.notdef /.notdef /.notdef /.notdef 
% 0xF0 
  /.notdef /ae /.notdef /.notdef /.notdef /dotlessi /.notdef /.notdef 
  /lslash /oslash /oe /germandbls /.notdef /.notdef /.notdef /.notdef
] def